Hailing from Tokyo Junichiro Ohkuchi is a pianist known for his distinct and expressive style, honed over an extensive career. His playing is characterized by dignified notes accompanied by a rich tapestry of sound, earning him much acclaim. Ohkuchi is adept at both solo and ensemble performances. He has collaborated with renowned bassists Yasushi Yoneki and Tetsuo Koizumi, and drummers Tamaya Honda and Daigimimoto, forming acclaimed piano trios.
In 2009, Ohkuchi embarked on a solo journey with the release of his first solo piano CD, “Plays Solo Piano.” Further solidifying his artistry, he released the critically-praised piano trio album “Invisible” in the summer of 2016.
Band members
Makoto Togashi (bASS)
Makoto Togashi’s passion for music ignited at a young age, nurtured by a circle of friends, by 2016, his talent was gracing stages in his hometown of Sapporo. Togashi’s ambition led him to Tokyo, further expanding his musical horizons, culminating in a performance at the prestigious Indonesia Java Jazz Festival in 2019. Always seeking new avenues for expression, Togashi collaborated with Kaito Nakamura for a duo album, “[DUO!!]” released in 2021. He has also honed his craft alongside established artists like Takeo Moriyama, Ohashi Trio, Eiichi Hayashi, Keiichi Yoshida, and more. His versatility extends beyond genre, with participation in bands like. Push (参加バンド) and DEATH RABBIT (参加バンド).
Hiroshi Murakami (dRUMS)
Tokyo-born drummer Hiroshi Murakami is a driving force in Japanese jazz. While at Seijo University, he honed his skills with pianist Takehiro Honda’s trio, then joined the groups of Masaaki Kikuchi and Sadao Watanabe. A turning point came in 1975 with a two-year stint in the US, where he co-starred with jazz legends like Mal Waldron (piano) and Joe Henderson (tenor saxophone). Back in Japan, Murakami co-founded the innovative group Native Son in 1978, blending jazz and fusion pushing the boundaries of the genre. After leaving in 1981, he led his own band and participated in numerous sessions, contributing to a vast discography. His 1978 album “Dancing Sphinx” exemplifies his creative vision.
English 
Japanese